Posts Tagged ‘fiction’

Too much information

Friday, December 17th, 2010

I was asked for my opinion on Wiki Leaks and the scandals erupting in cyberspace, where top secret documents suddenly appear to embarrass high-ranking military officials, bureaucrats and corporate barons. Are we justified in having this stuff floating around in the public domain, I was quizzed? Or should we let it all hang out and sock it to these honchos in high places who help each other out by launching wars, who cry for bailouts, and who lock the taxpayer into an “or else” hammer lock in order to fund their shenanigans under threat of terrorism or bankruptcy?

My first reaction was, “Dare anyone speak about this stuff in this day and age? Let’s see – if I am pro-Wiki Leaks, I could get on some nation’s no-fly list; if I am anti-Leaks, the hackers will block my Visa & Master Card accounts, erase me from social networking sites and punish me.” But either way, I could become famous if I go public with my plight. Hmm…

My next reaction was, “Another opinion on Wiki Leaks? Haven’t we made its owner a cult hero already with our nosiness? I mean, don’t we already know that classified stuff exists under any political system? Don’t we keep information protected via copyright, patent and trade secret laws? Aren’t writers agitating to have their copyrights protected and not splashed all over the Internet for free? Okay, and why do we have to have this leaked stuff piled on us in these digital dumpsters, filling our information intake valves faster than the garbage gushing into Toronto’s landfills? Hasn’t anyone learned that “less is more?”

Finally, I caved. “Okay, if you insist, I’ll venture an opinion, but you may not like it.” (Note to reader: Writers are opinionated people)

Disclosing information is good if it makes the world a better place, reveals injustice and leads to its correction – I’m sold on that. Enron was a good example, so was Mount Cashel. But there is a limit to disclosing information, especially if it harms people, property, or both, and especially if nothing good can be salvaged out of the disclosure. Didn’t we only recently coin that phrase “Too Much Information,” one that young people bandy around liberally these days in their text messages? For instance, if two neighbours are getting along, however tenuously, why upset the apple cart by saying to one that the other guy had once called him an asshole? Sure that’s disclosure, but does it advance progress or enhance relationships? Does it make the neighbourhood a better place? Do I need to know what my kids call me when they are mad at Dad?

So my opinion on this business: use common sense, guys! Whistle-blowing and mud-slinging are two different activities, although they both begin with a sense of frustration and a desire for change.

Oh that reminds me—I’d better check the showerhead in my washroom now. Just in case a hacker from either side of the debate, unhappy with my opinion, sneaks in a spy-cam and “captures” me on digital. The fame I have sought as a writer of strong male characters will come to me in the most sudden and unexpected way. I can imagine the instantaneous blurb on You Tube “Extra, Extra: Writer Lets It All Hang Out. Check him out – he is not as hot as his fiction!”

The Return of Fiction in the Google-era

Saturday, July 31st, 2010

When the towers came down in New York innocence was lost in North America, they say. People wanted only to read about news and features – they wanted facts, facts, facts…When was the next calamity going to happen, and where? Were we heading towards the end of days, and when? And whenever escape became an emotional necessity, it was sought in worlds far beyond (and therefore safe from) the present one – how about Hogwarts School for starters, or the dark and mysterious Vatican with those Da Vincian codes, or those dread-lands populated by vampires and werewolves, or a juicy murder mystery in distant Scandinavia? Mainstream fiction got sidestepped, because life had become stranger and more frightening than make-believe of the literary kind.

And now, several years on, we are drowning in facts. We Google “facts” and they are arrayed before us, from umpteen sources, with varying degrees of accuracy and bias. There is comfort in knowing that if we need the facts, they are always available, 24/7, at the click of a button. Welcome to the Factual Age, in which we get the facts, the whole facts and nothing but the facts. Boring…

I am more interested in that other world, the lost one: the one in which facts or pseudo-facts were re-arranged to fit a coherent dramatic trajectory, unleashing a moral, providing meaning and hope, allowing for triumph over adversity however trivial. A world where lies were conjured in order to illuminate a higher truth. A world that was delivered in beautiful lyrical prose conjuring imagery from life, giving us hues ranging from blue to gold, shadings from dark to light, perspectives from vulnerable to sympathetic, and action from heroic to barbaric.

The relentless onslaught of the Factual Age is similar to us being bombarded with still photographs of life, to the point that we are once more hungry for paintings to re-engage our moribund faculties, replete with the artist’s slant, bias, perspective, character, flaws, and opinion. And the artists too have gathered outside the gates with piles of their wares accumulated over the lean years since 9/11, during which output was limited to the very few, who made their handlers lots of cash by dabbling in predictable genres.

I think the pendulum will swing back now that the thirst for facts and information has been satisfied by the powerful search engines of today. I believe we will be looking for ways to convert these facts into stories that attempt to make sense out of an increasingly meaningless life rushing along at an even faster pace. I believe that those gates will soon be shoved open and that the artists will come rushing in, even giving away their wares as gifts, because sharing will have become more important to them than selling. And a grateful audience will embrace these stories again, the lost books, lost from the day the developed world lost its innocence.